Sunday, March 29, 2015

Critical Speed, Critical Sight (Essay by Bob Racine



Have you ever caught yourself rushing and could not recall why you were?  Am I working to meet a deadline?  No!  Is somebody breathing down my neck?  No!  Do I want to finish this job quickly before I forget how to do it?  Certainly not!  Do I really have confidence in myself to succeed at it?  Oh, yes!  Am I cramming too many back to back activities into one day?  Well-l-l!  Maybe!  Hmmm!  Or is this my usual habit?  Am I just naturally a rushing individual?  Is there a pace my psyche is trained to maintain?  Have you ever been employed by a company that required you to work “with alacrity?”  It is hard not to take the habit home with you.

This habitual tendency to rush shows up most noticeably and dangerously when motoring on the street or highway.  I get quite vexed when I see a driver avoiding a Yield sign at the bottom of a ramp by sneaking around those of us who are patiently waiting on the ramp for the proper moment to move onto the main road, then barging into the next dubious opening, nudging drivers aside who must slow down in order to avoid a collision.  We hear a lot about road rage, but not much about road hogging and pushiness.  None of us I daresay likes being tailgated.  You know that that person nagging at your rear is in a bigger rush than you are and you know that driver would like to push you off the road.   I also cringe when someone turning left who is supposed to yield to oncoming traffic takes a breathtaking turn with only feet and inches to spare between their car and the oncoming vehicle, cutting it dangerously close. 

But then I am humbled to recall, as I often do, that I was something of a hotrod myself at an early age, and am still a little impatient with slower drivers under certain circumstances, so eager to get where I am going.  I have to take note of it and say to myself as I have said countless times, “What’s the big hurry, bud?” 

I am also infuriated by most of the TV car commercials we see, wherein the car being sold is shown speeding or simulated as speeding.  The whole sales pitch is a demonstration of how fast it can travel, of how sleek and soup-ed up it is.  Swooping, swerving, gunning for all its worth!  Appealing to the craving for race car swiftness!  The auto manufacturers and marketers do not stop to think that they are inspiring the kind of driver attitude that results in deaths of innocent people.  Creating speed demons! 

We are a society that seems to thrive on speed, doing things with competitive swiftness.  We are encouraged to buy the dishwasher that works the fastest, to buy the computer that delivers the fastest, the printer that spews out the copy the quickest, to purchase the IPAD or IPOD that downloads in the fewest minutes, to buy the microwave that cooks the quickest, to take the medication that works in fifteen minutes instead of three quarters of an hour.   We cater to movies that can be streamed in a flash instead of losing precious time (or precious something!!!) waiting for Netflix to ship it.  We like things instant and electronically delivered, books that can be downloaded and keep us at home rather than require us to enter into the experience of driving or walking to the public library and browsing the shelves.   Few people, after all, ever make a rush trip to that library. 

I am not saying that any of these preferences is bad.  I just cannot shake the feeling, standing way back and taking the long look, that there is a connection between this speed orientation on every hand and the statistical medical fact that more people than ever contract high blood pressure and such like.

In a 1991 movie called “The Doctor,” William Hurt portrays a San Francisco surgeon who does not believe in forming friendships with patients.  Detachment is his favorite term when giving instructions to his interns.  Keep them at arm’s length!  A surgeon should simply cut!  Well, this doctor as it happens gets sick with cancer of the throat, has to take a leave of absence from his job for many months and soon finds himself getting some of that detached medical treatment himself.  In fact, the name of the autobiographical book that the screenplay is based on is entitled “A Taste of My Own Medicine.”  It becomes his turn to sit in waiting rooms and fill out forms and wait, and sometimes wait and wait. 

While waiting he meets a fellow patient, a young woman who has an inoperable brain tumor (Elizabeth Perkins).  He gets drawn into her predicament and out of a new sense of uncharacteristic humanity combined with curiosity he offers to drive her far out into the Nevada desert to attend a concert by a favorite musician of hers, someone she never thought she would ever get the chance to hear in person.  The leave of absence gives him great leeway in his schedule and the young lady has nothing much to do waiting for the clock to run out.  So they go!

While driving at top highway speed with her at his side, to his surprise, she asks him to stop the car.  He does and she jumps out and starts strolling around, really seeing the desert for the first time.  When he shuts off the motor, gets out and draws up to her side, she tells him that she has just made a vow to herself.  She says she has been rushing by things all her life and in what short life she has left (which turns out to be little more than twenty-four hours) she will never rush past anything again.  They walk all about in a beautiful twilight setting.  The concert is forgotten.  They end up dancing together on the sand, this middle aged professional physician and this obscure youth. 

As a result of his encounter with her, the doctor’s eyes are opened.  Now he too makes discoveries.  He sees that he has been rushing past his patients, rushing past people who were just something to cut on.  And in the months that follow he starts teaching his interns to be aware of peoples’ names.  And he does something unheard of.   He requires them to spend time as patients themselves.  He makes them dress up in patient garb.  Each is assigned a disease or an affliction.  They are ordered to take all the treatment that condition requires, to be poked and take shots and eat the hospital food and sleep in the hospital beds attended by nurses who wake them up in the wee hours for temperature and blood pressures readings.  To walk in the shoes of people, to use his own words, who “put their lives in our hands,” people “scared, who want to live.”  And in an earlier sequence of the picture, while he is temporarily without a voice from the surgery and is forced to convalesce at home, he realizes that he has been rushing past his wife (Christine Lahti) and child too.  What a transformation!

The film is still available from Netflix.  It is slightly dated in some of its depiction of medical industry shortcomings, but it still packs an emotional punch and highlights the meaning of compassion.  “The Doctor!”  2 hrs & 8 min, color, 1991.

I had an English literature professor in college, under whom I took two courses in creative writing, one on essay writing, the other on short story writing.  He taught that the most important thing for a creative writer to have is a sensitivity to life.  Creative writing is not just the sum total of the words you put down on paper; it is more than discipline or vocabulary, more than good grammar and syntax, more than mere reporting or telling stories.  It is reflecting on life in all its striking fine points, seeing and calling forth what most people never see, and one cannot be in a hurry to accomplish this. 

To illustrate he told about an esteemed author who visited the college, and this professor of mine was assigned the task of escorting him all around the campus and the town and the area.  And my professor said it was all he could do to keep up with the man.  They started to walk somewhere the professor wanted to show him but the man wanted to stop and examine everything he passed along the way.  He would leave the walkway when he spotted a tree or a flower or a rock, or he saw somebody doing something that interested him, something the average person would take for granted.  “Let me show you something here. . .What is this over here?”  The best writing comes from collected sensations and impressions and discoveries, things the average person is not likely to take in, if one is in too much of a hurry to absorb them.  A good writer takes his/her time.

Let us all buck the 21st century trend and form the habit of checking our speed.

From Thoreau’s classic masterpiece, “Walden”:  “Only that day dawns to which we are awake.   There is more day to dawn.  The sun is but a morning star.”


To read other entries in my blog, please consult its website:  enspiritus.blogspot.com.  To learn about me consult on the website the blog entry for August 9, 2013.

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